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Not all of the
sounds in Bilocation were 'found' on location: some were specially made
in other unusual acoustic spaces and are more conventionally 'musical'. An ancient
church in Wiltshire provided a natural ambience for some of these. Sounds were
recorded in the studio; then played back in the empty church and binaurally re-recorded
with the natural reverb of the space. Composer Steve Marshall also recorded himself
'overtone singing' in the church. Individual notes were recorded in different
parts of the building, then combined into slowly-evolving chords that move around
the soundfield. | If you like detailed sleevenotes, then look no further! Here's a complete list of all the sounds contained in Bilocation, and how they were recorded. The tracklist can be printed out, to read whilst playing the album: TRACKLIST |
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| The Wiltshire church where many of the re-recorded sounds in Bilocation were made. The church is Saxon (1000 yrs old) but a Yew tree next to it is estimated to be twice that age -suggesting that this was a pre-Christian holy place. It certainly has a very strange atmosphere. The acoustics are superb, as the stone building is empty and has non-parallel walls. | ||||||||||||
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